HOT OFF THE PRESS

. . . from my editor, Marcia Leonard, comes the upcoming Fall 2008 Clarion Houghton Mifflin catalogue. One side shows an illustration from David Macaulay's THE WAY WE WORK, and flip it over, here on the Clarion side is the cover from my upcoming book, KITCHEN DANCE!

KITCHEN DANCE begins as two sleepy young children are awakened by mysterious sounds from downstairs. They sneak down the dark stairs to see what is going on. Peeking through the kitchen door, they spy their parents who are dancing and singing in the bright, tropical-colored kitchen as they put away the dinner dishes. But, ¡HOLA! the children are discovered! What ensues is a joyous family dance that slowly turns to lullaby and finally ends with the children tucked cozily back into their beds. Umm-hmm!

On sale this October 6th, 2008.

UPDATED WEBSITE!!

YAY! For the first time in 5 years I've updated my website. This recently became a top priority after my sister compared my old light yellow design to a "country kitchen" once too often and even my agent had been pleading with me to take the embarassingly ancient dates off the copyright notices at the bottom of my images. Hopefully it looks more current and maybe a even a little edgy?

I almost thought I should start this blog over now that I've attached it to my website -- but instead I think I'll just keep plodding along. Those old posts will scroll off the site sooner or later. So I'm going to blab here more regularly and post some stuff I've been working on.

I've got a few new B&W images up. I've been thinking of trying a graphic novel, or just an illustrated chapter book and need to have more samples. Plus, almost all my book ideas begin with an illustration I've done for myself, for fun.

My big news is that my wonderful agent, Scott Treimel, sold KITCHEN DANCE, a story that came out of one of the images I had drawn for my website a while back while testing my "sketchy" style. The publisher is Clarion Books, which would probably be on the top of my list of publishers I've wanted to work with. More than 20 years ago, while I was still an illustration student as MassArt, I sent my very first manuscript to James Cross Giblin at Clarion. He sent me a personal rejection encouraging me to send him more in the future. I never did -- instead put that rejection letter in a frame and gazed lovingly at it over the years. And no matter what icky art job I had to endure in order to pay the rent (like drawing tanks and M16 rifles for a US Army contractor and drawing dentists and realtors for yellow page ads) I always knew that the letter from Jim Giblin inviting me to submit "more" to him was solid proof I was a writer.